花婿の寝言
This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
Genre: Comédie
Jeter: 川崎弘子, 長谷川一夫, 小林十九二, 忍節子, 水島亮太郎, 高松榮子, 斎藤達雄, 青木富夫
Équipage: 五所平之助 (Director), 小原 譲治 (Director of Photography), 伏見晁 (Screenplay), 妹尾芳三郎 (Sound Recordist)
Mot-clé:
花婿の寝言 1935
Shochiku
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