Après-midi de taureaux
Right-handers Ricardo Puente, Juan Carmona and Rondeño II, which will take the alternative are advertised in the poster. The first is an old bullfighter, famous in the past, as now, bitter and full of rancor, lives with Paloma, a woman who is not resigned to continue to be the lover of a man who has fallen into oblivion. Carmona, the Bullfighter of fashion, has a major contract to fight in America, but his wife Isabel wants to reject the offer. Ana Maria, the sister of Carmona, hopes that his brother adopted its relations with Rondeno II; but Carmona was opposed because considers it it a bad Bullfighter
Genre: Drame
Jeter: Domingo Ortega, Antonio Bienvenida, María Asquerino, Marisa Prado, Encarnita Fuentes, Jorge Vico, Jesús Tordesillas, Manolo Morán, Juan Calvo, Mariano Azaña, José Isbert, Amparo Martí, Félix Dafauce
Équipage: Ladislao Vajda (Director), Federico del Toro (Assistant Production Manager), José Santugini (Screenplay), Antonio Simont (Set Decoration), Vicente Sempere (Production Manager)
Mot-clé:
Après-midi de taureaux 1956
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