Atrophy Portraits II
The history of traditional portraiture is about status and branding. With this portrait we were interested in breaking down those layers of constructed perfection. Initially in renaissance portrait painting, women are often pictured in a profile view, detached and passive. This painting was one of the first to have the female subject confronting the viewer, meeting your eyes without appeasing or smiling. There are parallels in the expressions in this film and in the painting.
Genre: Romance
Jeter: Vex Ashley, María Riot, Lina Bembe
Équipage: Vex Ashley (Director), Vex Ashley (Writer), Dino Spiluttini (Music)
Mot-clé:
Atrophy Portraits II 2019
Four Chambers
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