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Does someone remember that project of López Rega’s which, in 1975, thought up the construction of a Great Homeland Altar where all mythical figures of Argentine history could be in the same building? From San Martín to Perón on his pinto horse. From the Billiken stamps of our childhood to Libertad Leblanc’s tits of our teenage years. All clichés of Argentine-ness gathered under one roof. But the construction delays. Workers entertain themselves with their own masturbatory drives. Or is it that Argentina is an impossibie construction? Always about to begin. always displaying great projects, great plans that never come to fruition. A second-rate country that hides its fundamental vacuity behind monuments. in Acha’s cinema, second-rateness is exposed, shown in all its lying pomposity.
Genre: Histoire, Comédie, Drame
Jeter: Libertad Leblanc, Juan Palomino, Jorge Díez, Miguel Oliveira, Amir Benroa, Juan Villola, Oscar Vernales, Dante Viracocha, Germán Oural, Pablo Oural, Alberto Pérez Saavedra, Luis Nieto, Gustavo Portela
Équipage: Guillermo Silveira (Music), José Luis Celeiro Rodríguez (Cinematography), Jorge Acha (Director)
Mot-clé:
Standard 1990
identity
nationalism
dictatorship
construction
argentinean history
altar de la patria
josé lópez rega
Producciones Jaguar S.A. de C.V.
Cantorrodado
Demolicion
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